
Sunday, November 27, 2011
"Oh, Snap!"

Friday, November 25, 2011
Thursday, November 24, 2011
Sunday, October 16, 2011
Portsmouth, NH - Fall Garden



Tuesday, October 11, 2011
Get Inspired by Fall (Even Indoors!)
Sunday, October 9, 2011
The Backyard Challenge







(This last one's a detail shot of a mushroom.)
I encourage you to get out and capture images of the wonders in YOUR own backyard.
Sunday, October 2, 2011
The Pickup Artist
Yesterday, I transferred my two pieces from the NH Art Association's juried Parfitt show over to the Association's Small Works Gallery.
I also delivered two new pieces to the Association's main gallery for its newest show, entitled "Views of the World Through the Artists' Eye."


I arrived close to the end of the day, so several other pieces -- in a variety of media -- had already been delivered by this time. Even though it's a non-juried member show, all members must be juried into the Association. As such, the overall quality of the show promises to be quite high.
I encourage you to attend the opening reception for "Views of the World Through the Artists' Eye" on Friday, October 7, 2011 from 5-8PM. The show runs through the last weekend of October.
Today is the last day to see "the Vision and the Word at Exeter Town Hall. My husband Darren and I both have pieces in the show, as do several WCA-NH members. I especially encourage you to see the assemblages by Linda Aronson, who runs an antiques shop just a few doors down from Town Hall.
Tuesday, September 27, 2011
Early Fall in Tamworth, NH






Click here to read my article on shooting fall foliage in New England.
Saturday, September 3, 2011
New Work



Thursday, August 4, 2011
Thursday, June 30, 2011
SeeingFresh, Week 5: Space
Here are the three images I submitted for consideration:



UPDATE 7/3/11: The center image was selected for the "texture" gallery,while the other two images seem to have been declined for the any of the five galleries. The question at this point becomes: do I treat the educators as commercial clients and serve up what they seem to want (photos that seem to evoke a vast, psychological space) even though the tighter interplay of positive and negative space evident in the declined photos really seems to have met the scope of the assignment as they wrote it? Is it that I just didn't submit an image that was similar enough to one that the instructors themselves would have taken?
At this point, I think I need need to take a few days to toss around my ideas about rejection, even though as a juried artist, I'm pretty much toughened up about the jurying process. Due to the nature of this particular type of artwork, I should also consider how my ego could be my biggest roadblock. I also want to consider the amount of "authority" I wish to give the instructors when my heart tells me I did the assignment "right." I also want to look at the idea of respect: did I properly honor the instructors when my opinion of them seems to vacillate with how much they like my work (and how much I like theirs)?
Friday, June 17, 2011
SeeingFresh,Week 4: Light



UPDATE: Again,only two photos were selected. I am guessing that the hand pic was not accepted because it was not sublime enough and should have paid more attention to the pattern of light, rather than to the pattern of non-light/shadow.
Saturday, June 11, 2011
SeeingFresh, Week 3: Simplicity
"where the experience of the form is heightened because of the space around it."
I've been rummaging through my photo archives and here are the three images I'm considering submitting this coming week:



UPDATE: The red vehicle closeup was recategorized as an example of the "Color" assignment (where I think it works well.)
The horse closeup was accepted as part of the "Simplicity" assignment for which it was submitted.
The leaf closeup was declined. While I still think it met the parameters of the assignment as written up on the web site, I do think it lacks the Zen simplicity that other, accepted photos exhibited.
Tuesday, June 7, 2011
SeeingFresh, Week 2: Texture
The purpose of the assignment is for the photographer to feel visual texture, in order to "connect deeply with form". The resultant photographs are artifacts of that direct experience.
Here's what I intend to submit tomorrow:



Again, I'll let you know which images, if any, the teachers post. I'll also critique any works which weren't accepted.
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UPDATE: All three images were accepted (!) and can be viewed at http://www.seeingfresh.com/assignment-galleries/texture
Wednesday, June 1, 2011
SeeingFresh, Week 1: Color
The excellent site www.seeingfresh.com has guidelines for teaching yourself Contemplative Photography. It emphasizes five concepts: color, texture, simplicity, light, and space.
My goal is to complete one lesson per week, both by shooting new images and by sifting though my photo archives for pix that meet each lesson's criteria. I will be uploading three photos per week to the SeeingFresh.com site, corresponding to each assignment.
The first week's assignment was "Color" and how it "has no meaning, apart from what thinking-mind superimposes on it."
Here's what I came up with:


After the files were submitted, the Contemplative Photography teachers will be reviewing them for compliance with the assignment and perhaps posting them to their site.
Stay tuned....
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UPDATE:
The second and third image were selected for posting to the site.
I got no feedback about the image which was not posted, but I thought hard about what could be improved for future submissions. The photo has interesting texture and composition and is "correct" within a traditional, technical context. However, it doesn't work as well within a contemplative photography context because it's hard to separate plants from their "greenness." In fact, while shooting the image, I thought, "Here's an interesting green plant," not "Wow! Green!"
Next week's assignment is texture, and I'll push harder to select images where my first instinct is "Wow! Texture!"










