Sunday, August 28, 2011

On Display Soon in Portsmouth

at the NH Art Association Gallery starting later this week. Pix to appear either in the Parfitt Juried Photography Show or in the Small Works Gallery, depending on how well the juror likes my submissions:





8 x 10" metallic print, matted and framed to 11 x 14." Priced to sell at just $65 each. Open edition, but because I don't display often, there will likely be fewer prints produced than for other artists' "limited editions."


UPDATE: Both pieces were accepted into the Parfitt show, which is the first juried exhibition I've entered in years!

Nubble Light


Day before the hurricane was supposed to arrive:




Tuesday, August 16, 2011

Cropping

Cropping is traditionally used to tighten a composition: to remove extraneous detail and direct the viewer's eye to that part of the image which the photographer wishes to emphasize. Unfortunately, this can result in static, almost claustrophobic images, because the composition becomes so tight and rigid.

Consider cropping for another purpose: to ADD space to a photograph (rather than SUBTRACTING space from it.) The resultant image will be much more fluid... and less expected.

Here's an example:

The original photograph shows the overall architecture of the ferris wheel (although it doesn't portray its scale as well as if there had been passengers on it at the time):




However, the photo does not communicate what drew my eye to the wheel to begin with: its center hub and the spokes. Here, cropping tightly draws the reader's eye to those features:



However, the cropped image, because it is so rigid, fails to express any kind of movement, which is why people go on the rides to begin with. This could have been solved by shooting a slower shutter speed, to blur motion. (Alternatively, motion could have been added in Photoshop, although I usually don't like to do that.) Moreover, the image fails to convey the feeling of freedom one has sitting in a car, surrounded by blue sky. Here's another cropping of the same picture, which better expresses that feeling of "openness" while still retaining architectural interest:



This image demonstrates that while it seems counter-intuitive to make a photo more open by tightly editing it, sometimes that's exactly what is needed.




Not convinced yet? Here's another example of adding space and openness to an already tightly cropped photo by coming in even closer:

Before:




and after:



Thursday, August 4, 2011

Building a Sand Mandala

Since I had observed one being built before, I knew exactly what story I wanted to tell. Even so, it was important just to watch for a while before shooting a single frame. After taking a few group shots to document how several monks would work on the same mandala, it was time to take the "fun" shots.




Above: Describing the event without words and putting the focus on the artist....


Above: Throwing the artist out of focus to draw attention to the artwork....



Above: I used to work for high-tech magazines and this composition seemed like a riff on silicon technology....




There were a lot of "throw-away images" because I did not want to disrupt the ceremony by using flash. However, the center was gracious in that it let me return later and take several "detail" shots in an empty room. Here's one of my favorites:

Just because....